A bit of urgency and transfixing transitions mark "Stories for Boys," making it one of the album's more standout moments. Boy's leadoff track, "I Will Follow," became the album's biggest hit, and rightly so - the song balanced a cautiously upbeat flair with a more desperate mood and Bono's driven, energetic delivery for the chorus. Bono's voice was a versatile force that yelped and floated around The Edge's distinct guitar tones, which had already begun to take its noticeable shape. Each respective album is remastered vividly by The Edge and contains a bonus disc of B-sides, live or alternate versions and otherwise previously unreleased tracks, as well as liner notes with full lyrics, short essays from the members or others, old promo shots and various scrawlings and single/EP covers.īoy was a strong debut for the band. Their long-time label, Island Records, brings a few of those old albums back into the limelight with deluxe reissues of their first three full-lengths: 1980's Boy, 1981's October and 1983's War. In the early 1980s, U2's grand ambitions and an arena-emboldened sound were restrained by classic punk influences (the Ramones, Joy Division, the Clash, Patti Smith) that granted them a closer connection to the post-punk movement than they would ever get. However understandable those opinions may be, it's hard to take away from the importance and general brilliance of their earliest output, as well as the light affiliations those songs carried. The band suffers seething stares and savage slandering by those who watched the band become geriatric arena pop with their later releases and view frontman Bono's social and political activism as nothing more than a front for an overinflated ego. U2's status in the punk community is one of vicious malcontent.
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